Alan Sorrell

ARTIST

Sorrell, Alan

1904 – 1974

Alan Sorrell (1904-1974) attended the Royal College of Art in the mid-1920s during
a period which saw the emergence of talents such as Edward Bawden, Eric Ravilious, John Piper, Henry Moore and Barnett Freedman. Although Sorrell’s work has been less well documented his talent was comparable to that of artists more usually associated with the RCA’s formidable reputation during the interwar years.

What were Sorrell’s achievements and how should he be remembered by posterity? During his life Sorrell produced a vast cycle of murals (nearly 20 over a 30-year period). When exhibited for the first time in a generation at the British Murals show organized by Liss Fine Art at The Fine Art Society (London), William Packer described Sorrell’s recently rediscovered Festival of Britain mural as ‘utterly enchanting’ and ‘quite the star of the entire show’, (The Times 2.3.2013 p 91).

Another aspect of Sorrell’s oeuvre which deserves greater recognition are the paintings he produced during WW2. Like many artists of the period, such as Sir Thomas Monnington, Sorrell’s direct experience as an airman resulted in a new perspective ‘ broad horizons and tilted aerial views which were to become the hallmark of his post-war reconstruction drawings. Never an Official War Artist he was able to choose his subjects with relative freedom which resulted in an engaging record of daily life in wartime Britain.

Sorrell’s work as a pre-war artist is relatively little known. Trained at Southend before starting to work as a commercial artist Sorrell subsequently took up a scholarship at the RCA (1924) ‘ an association later strengthened by his period as a teacher there (1931-48). In between he spent two years at the British School at Rome on a Scholarship.

Almost no work survives from Sorrell’s period as an RCA student other than the preparatory drawings with which he competed for his 1928 Rome Scholarship. The RCA archives for this period are much depleted (probably having been destroyed in the war), as a result of which it is hard to gain a fuller picture of this formative period of his life. An equally small body of work has survived from his two years in Rome though his early self-portrait (November 1928) ‘ a masterly fusion of nagging self-doubt and youthful self confidence ‘ hints at the emerging power of his talent. Sorrell recorded his time at the British School at Rome in an unpublished typescript titled Barbarians in Rome in which he paints a vivid picture of life at the school during the years 1928-30.

Returning from Rome in 1930, Sorrell produced some very fine works: Artist in the Campagna (c. 1931), Appian Way (1932), Rocky Formation at Thingvellir (1934), The Long Journey (1936), A Land Fit for Heros (1936). Sorrell’s vision was born out of the Romantic British tradition exemplified by Blake, Palmer and their 20th-century disciples.

Sorrell is principally remembered today as an illustrator of articles on archaeology for
The Illustrated London News and books ranging from Roman Britain to The Holy Bible,
(more than 15 books over a period of 40 years, the last Reconstructing the Past appearing posthumously in 1981) and for reconstruction drawings for the Ministry of Works ‘ later English Heritage. Through these projects Sorrell played a unique role at a crucial moment in the development of archaeology as a discipline helping it develop from non-specialist to rigorous professional activity. The pioneering archaeologists he worked with read like a roll call of honour: Cyril and Ailen Fox, Dr Kathleen Kenyon, Professor Brian Emery, Mortimer Wheeler, Leonard Woolley, V. E. Nash-Williams, Ian Richmond, James Mellaart, Shepherd Frere and Philip Rahtz. For this and subsequent generations of archaeologists Sorrell’s work holds a special fascination. Out of context some of these drawings can appear dated, but the majority are infused with the qualities of Sorrell’s most evocative work ‘ composed from a dynamic panoramic viewpoint full of imaginative details. This area of specialization, where Sorrell was successful in avoiding the predictable or formulaic, was not a cul de sac into which he withdrew from the artistic mainstream. Sorrell was acutely aware of contemporary issues and the same rigorous approach also inspired his remarkable series of drawings recording the construction of Hinkley Point Nuclear Power Station (from October 1957 to 1965). A photograph of Sorrell recording the Nuclear Reactor No 4 makes a poignant pair to the photograph of the same period which shows him sketching at Stonehenge.

Sorrell continued to develop his vision consistently over a highly productive half century. His journey was not always easy. Struggling at times financially he also suffered rejection and disappointment ‘ the War Artists Committee turned down his application to become an Official War Artist; he was dismissed from his teaching post at the RCA by Robin Darwin (1948) and failed in his subsequent application to become head of Winchester Art School. And as late as 1964, when he was put forward for election to the RA by John Ward, his candidature was rejected. He was a man of principle: when serving in the RAF he staged a ‘one man mutiny’, refusing to work on terrain models of cities he considered to be of ‘irreplaceable artistic importance’. He was an active environmentalist campaigning in Essex in the mid-1950s to protect local fields, woodlands and hedgerows from urban development.

Sorrell made numerous journeys to distant lands, painting in Iceland (1934), Greece and
Turkey (1954), Egypt and the Sudan (1962) where he travelled with a specially made canvas bag designed to stop his materials melting in the sun. A latter-day Holman Hunt, and with some of Holman Hunt’s heroism (!), he faithfully recorded scenes in situ including a remarkable series of over sixty drawings of the villages around Nubia threatened by the building of the High Dam at Aswan (1962). In other pictures his journeys were imagined, dramatic fantasies of falling towers, or trains rushing over viaducts.

As an epitaph for ‘England’s Early Sculptors’ John Piper used a thirteenth century chronicle by Peter Langtoft: ‘the wander wit of Wiltshire’ went to Rome to study the antiquities, but when the antiquaries learnt that he had never seen Stonehenge they sent him back to find inspiration in his own country. This story has a certain resonance with Sorrell’s own artistic journey and ultimately his success in forging a vision which responded to both legacies.

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Alan Sorrell

ARTIST

Sorrell, Alan

1904 – 1974

Alan Sorrell (1904-1974) attended the Royal College of Art in the mid-1920s during
a period which saw the emergence of talents such as Edward Bawden, Eric Ravilious, John Piper, Henry Moore and Barnett Freedman. Although Sorrell’s work has been less well documented his talent was comparable to that of artists more usually associated with the RCA’s formidable reputation during the interwar years.

What were Sorrell’s achievements and how should he be remembered by posterity? During his life Sorrell produced a vast cycle of murals (nearly 20 over a 30-year period). When exhibited for the first time in a generation at the British Murals show organized by Liss Fine Art at The Fine Art Society (London), William Packer described Sorrell’s recently rediscovered Festival of Britain mural as ‘utterly enchanting’ and ‘quite the star of the entire show’, (The Times 2.3.2013 p 91).

Another aspect of Sorrell’s oeuvre which deserves greater recognition are the paintings he produced during WW2. Like many artists of the period, such as Sir Thomas Monnington, Sorrell’s direct experience as an airman resulted in a new perspective ‘ broad horizons and tilted aerial views which were to become the hallmark of his post-war reconstruction drawings. Never an Official War Artist he was able to choose his subjects with relative freedom which resulted in an engaging record of daily life in wartime Britain.

Sorrell’s work as a pre-war artist is relatively little known. Trained at Southend before starting to work as a commercial artist Sorrell subsequently took up a scholarship at the RCA (1924) ‘ an association later strengthened by his period as a teacher there (1931-48). In between he spent two years at the British School at Rome on a Scholarship.

Almost no work survives from Sorrell’s period as an RCA student other than the preparatory drawings with which he competed for his 1928 Rome Scholarship. The RCA archives for this period are much depleted (probably having been destroyed in the war), as a result of which it is hard to gain a fuller picture of this formative period of his life. An equally small body of work has survived from his two years in Rome though his early self-portrait (November 1928) ‘ a masterly fusion of nagging self-doubt and youthful self confidence ‘ hints at the emerging power of his talent. Sorrell recorded his time at the British School at Rome in an unpublished typescript titled Barbarians in Rome in which he paints a vivid picture of life at the school during the years 1928-30.

Returning from Rome in 1930, Sorrell produced some very fine works: Artist in the Campagna (c. 1931), Appian Way (1932), Rocky Formation at Thingvellir (1934), The Long Journey (1936), A Land Fit for Heros (1936). Sorrell’s vision was born out of the Romantic British tradition exemplified by Blake, Palmer and their 20th-century disciples.

Sorrell is principally remembered today as an illustrator of articles on archaeology for
The Illustrated London News and books ranging from Roman Britain to The Holy Bible,
(more than 15 books over a period of 40 years, the last Reconstructing the Past appearing posthumously in 1981) and for reconstruction drawings for the Ministry of Works ‘ later English Heritage. Through these projects Sorrell played a unique role at a crucial moment in the development of archaeology as a discipline helping it develop from non-specialist to rigorous professional activity. The pioneering archaeologists he worked with read like a roll call of honour: Cyril and Ailen Fox, Dr Kathleen Kenyon, Professor Brian Emery, Mortimer Wheeler, Leonard Woolley, V. E. Nash-Williams, Ian Richmond, James Mellaart, Shepherd Frere and Philip Rahtz. For this and subsequent generations of archaeologists Sorrell’s work holds a special fascination. Out of context some of these drawings can appear dated, but the majority are infused with the qualities of Sorrell’s most evocative work ‘ composed from a dynamic panoramic viewpoint full of imaginative details. This area of specialization, where Sorrell was successful in avoiding the predictable or formulaic, was not a cul de sac into which he withdrew from the artistic mainstream. Sorrell was acutely aware of contemporary issues and the same rigorous approach also inspired his remarkable series of drawings recording the construction of Hinkley Point Nuclear Power Station (from October 1957 to 1965). A photograph of Sorrell recording the Nuclear Reactor No 4 makes a poignant pair to the photograph of the same period which shows him sketching at Stonehenge.

Sorrell continued to develop his vision consistently over a highly productive half century. His journey was not always easy. Struggling at times financially he also suffered rejection and disappointment ‘ the War Artists Committee turned down his application to become an Official War Artist; he was dismissed from his teaching post at the RCA by Robin Darwin (1948) and failed in his subsequent application to become head of Winchester Art School. And as late as 1964, when he was put forward for election to the RA by John Ward, his candidature was rejected. He was a man of principle: when serving in the RAF he staged a ‘one man mutiny’, refusing to work on terrain models of cities he considered to be of ‘irreplaceable artistic importance’. He was an active environmentalist campaigning in Essex in the mid-1950s to protect local fields, woodlands and hedgerows from urban development.

Sorrell made numerous journeys to distant lands, painting in Iceland (1934), Greece and
Turkey (1954), Egypt and the Sudan (1962) where he travelled with a specially made canvas bag designed to stop his materials melting in the sun. A latter-day Holman Hunt, and with some of Holman Hunt’s heroism (!), he faithfully recorded scenes in situ including a remarkable series of over sixty drawings of the villages around Nubia threatened by the building of the High Dam at Aswan (1962). In other pictures his journeys were imagined, dramatic fantasies of falling towers, or trains rushing over viaducts.

As an epitaph for ‘England’s Early Sculptors’ John Piper used a thirteenth century chronicle by Peter Langtoft: ‘the wander wit of Wiltshire’ went to Rome to study the antiquities, but when the antiquaries learnt that he had never seen Stonehenge they sent him back to find inspiration in his own country. This story has a certain resonance with Sorrell’s own artistic journey and ultimately his success in forging a vision which responded to both legacies.

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+ Share Artist

ARTWORK FOR SALE

SKU: 9477

Alan Sorrell (1904 - 1974)

Study for Mural II for the canteen of John D. Francis Ltd, Fazakerley, Liverpool, 1947

£350.00

SKU: 7921

Alan Sorrell (1904 - 1974)

Study for mural for the canteen of John D. Francis Ltd, Fazakerley, Liverpool, 1947

£320.00

SKU: 7404

Alan Sorrell (1904 - 1974)

Study for a portrait of Sir Cyril Fox, 1946

£1,875.00

SKU: 6521

Alan Sorrell (1904 - 1974)

Self Portrait (Illustration for The Broken Gates), circa 1950

£800.00

SKU: 6509

Alan Sorrell (1904 - 1974)

Study for ‘Court of the Worshipful Company of Butchers in Procession’ circa 1950

£740.00

SKU: 6372

Alan Sorrell (1904 - 1974)

Portrait of Evelyn Gibbs, circa 1929

£750.00

SKU: 6361

Alan Sorrell (1904 - 1974)

Study of Mrs Turner, for the mural at Turner’s Hardware shop in Hadleigh High Street, circa 1956

£475.00

SKU: 6206

Alan Sorrell (1904 - 1974)

Study for ‘A Burial Ceremony at Tinkinswood, Glamorgan, circa 1939

£475.00

SKU: 6204

Alan Sorrell (1904 - 1974)

Self portrait

£1,100.00

SKU: 6199

Alan Sorrell (1904 - 1974)

Study for ‘Court of the Worshipful Company of Butchers in Procession’ circa 1950

£740.00

SKU: 3816

Alan Sorrell (1904 - 1974)

WW2, Interior of an RAF dormitory

£940.00

SKU: 3817

Alan Sorrell (1904 - 1974)

Study for Murals for the canteen of John D. Francis Ltd, Fazakerley, Liverpool, 1947

£720.00

SKU: 3818

Alan Sorrell (1904 - 1974)

Farm in Iceland, circa 1936

£675.00

SKU: 3771

Alan Sorrell (1904 - 1974)

Study for the North arch of St Peters Church, Bexhill-on-Sea, circa 1951

£300.00

SKU: 3774

Alan Sorrell (1904 - 1974)

Study for People Seeking After Wisdom, c 1928
SKU: 3748

Alan Sorrell (1904 - 1974)

Crosby Hall on the Chelsea Embankment, May 3. 46

£600.00

SKU: 3742

Alan Sorrell (1904 - 1974)

Studies of Mr Turner, for the mural at Turner’s Hardware shop in Hadleigh High Street, circa 1956

£690.00

SKU: 3743

Alan Sorrell (1904 - 1974)

Study for the headquarters of an airfield

£800.00

SKU: 3746

Alan Sorrell (1904 - 1974)

Composition with airfield base

£675.00

SKU: 3735

Alan Sorrell (1904 - 1974)

Sheet of studies of an illustminated manuscript

£630.00

SKU: 3738

Alan Sorrell (1904 - 1974)

Study for a Book jacket design, c. 1920

£1,200.00

SKU: 3734

Alan Sorrell (1904 - 1974)

Book jacket design,c. 1920,

£995.00

SKU: 3722

Alan Sorrell (1904 - 1974)

Dejeuner sur l’herbe

£720.00

SKU: 3725

Alan Sorrell (1904 - 1974)

part 2, Illustration for The Broken Gates, circa 1950

£450.00

SKU: 3714

Alan Sorrell (1904 - 1974)

Ceremony

£300.00

SKU: 3705

Alan Sorrell (1904 - 1974)

RAF encampment

£1,350.00

SKU: 3699

Alan Sorrell (1904 - 1974)

The artists wife picking apples, study for The Four Seasons, mural at Myton, Warwick, 1958

£430.00

SKU: 3703

Alan Sorrell (1904 - 1974)

Arriving at the airfield, circa 1940

£1,100.00

SKU: 3697

Alan Sorrell (1904 - 1974)

Landscape with trees and viaduct, circa 1930

£525.00

SKU: 3687

Alan Sorrell (1904 - 1974)

Juscilium., 1929

£540.00

SKU: 3682

Alan Sorrell (1904 - 1974)

Sheet of studies – tree trunk (recto);kneeling man (verso)

£495.00

SKU: 3672

Alan Sorrell (1904 - 1974)

South Harting, August 1929

£975.00

SKU: 3673

Alan Sorrell (1904 - 1974)

Study of a naked man, leaning forward

£400.00

SKU: 3674

Alan Sorrell (1904 - 1974)

Study for People Seeking After Wisdom, 1928

£785.00

SKU: 3675

Alan Sorrell (1904 - 1974)

Sketch for examination competition, People Seeking After Wisdom, March 1,1928

£2,500.00

SKU: 3666

Alan Sorrell (1904 - 1974)

Study for The Traveller

£460.00

ARCHIVED WORKS

Sold
SKU: 9476

Alan Sorrell (1904 - 1974)

Portrait of Reginald Brill, late 1920’s
Sold
SKU: 9478

Alan Sorrell (1904 - 1974)

Portrait of an RAF Officer
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SKU: 9479

Alan Sorrell (1904 - 1974)

The Acropolis in Athens
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SKU: 7403

Alan Sorrell (1904 - 1974)

Rochester, (windy day) c. 1918-20
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SKU: 7401

Alan Sorrell (1904 - 1974)

Stambridge Mill near Rochford
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SKU: 7402

Alan Sorrell (1904 - 1974)

Self Portrait, head and shoulders
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SKU: 6360

Alan Sorrell (1904 - 1974)

An Assyrian Lion Hunt
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SKU: 6362

Alan Sorrell (1904 - 1974)

The Courtyard of The British School, Rome, Aug 1937
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SKU: 6355

Alan Sorrell (1904 - 1974)

Hadleigh Castle
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SKU: 6356

Alan Sorrell (1904 - 1974)

Istanbul: The Lesser Golden Gate, 1955
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SKU: 6207

Alan Sorrell (1904 - 1974)

Study for a reconstruction of the Triangular temple at Verulamium (Roman St Albans)
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SKU: 6208

Alan Sorrell (1904 - 1974)

Study for a reconstruction of a Roman fort
Sold
SKU: 6205

Alan Sorrell (1904 - 1974)

Landscape (inscribed “Snowdon from Capel Curig)
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SKU: 6198

Alan Sorrell (1904 - 1974)

Study with Shasta Daisies in a Blue Vase
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SKU: 6201

Alan Sorrell (1904 - 1974)

Portrait of the architect Thornton White, circa 1926
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SKU: 6203

Alan Sorrell (1904 - 1974)

Self portrait, circa 1925
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SKU: 5956

Alan Sorrell (1904 - 1974)

Self Portrait
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SKU: 5801

Alan Sorrell (1904 - 1974)

Roman Caerwent – sketch for a reconstruction of the Romano-celtic temple.
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SKU: 5775

Alan Sorrell (1904 - 1974)

Study in two sheets for ‘Working Boats’, Mural of the Nelson Bar, HMS Campania, 1951
Sold
SKU: 5662

Alan Sorrell (1904 - 1974)

Men Sandbagging, 1939
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SKU: 3819

Alan Sorrell (1904 - 1974)

Rochester, c. 1918-20
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SKU: 3778

Alan Sorrell (1904 - 1974)

Study for the North arch of St Peter’s Church, Bexhill-on-Sea, 1951
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SKU: 3779

Alan Sorrell (1904 - 1974)

RAF Camp, signed and dated 1940,
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SKU: 3782

Alan Sorrell (1904 - 1974)

RAF Camp, circa 1944
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SKU: 3783

Alan Sorrell (1904 - 1974)

Train in a Landscape
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SKU: 3776

Alan Sorrell (1904 - 1974)

Arum lilies
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SKU: 3768

Alan Sorrell (1904 - 1974)

The Ramesseum Thebes, 1962
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SKU: 3769

Alan Sorrell (1904 - 1974)

Mawgan Porth 1916, Cornwall
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SKU: 3763

Alan Sorrell (1904 - 1974)

Leigh, the Old Town
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SKU: 3766

Alan Sorrell (1904 - 1974)

The Trembling Earth
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SKU: 3759

Alan Sorrell (1904 - 1974)

Walton-on-The-Naze 1952 (Richard in Foreground)
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SKU: 3760

Alan Sorrell (1904 - 1974)

The Beach at Southend, circa 1950
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SKU: 3761

Alan Sorrell (1904 - 1974)

Hadleigh Castle from the West, c. 1936
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SKU: 3762

Alan Sorrell (1904 - 1974)

The Lake of Albano and Monte Cavo, 1928
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SKU: 3752

Alan Sorrell (1904 - 1974)

Essex landscape panoramic view
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SKU: 3754

Alan Sorrell (1904 - 1974)

Early Self-Portrait, mid 1920’s
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SKU: 3755

Alan Sorrell (1904 - 1974)

Rayleigh, Essex, circa 1948
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SKU: 3756

Alan Sorrell (1904 - 1974)

Near River’s Corner Daw’s Heath
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SKU: 3749

Alan Sorrell (1904 - 1974)

Bradfield Lodge with Nissen hut accommodation, near RAF Bradwell Bay, circa 1942
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SKU: 3751

Alan Sorrell (1904 - 1974)

The Artist’s House and Studio, Thors Mead, Essex, circa 1947
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SKU: 3744

Alan Sorrell (1904 - 1974)

The Artist’s paint-box and sketching bag on a Windsor chair
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SKU: 3745

Alan Sorrell (1904 - 1974)

Rebuilding a bomb damaged site, circa 1945
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SKU: 3736

Alan Sorrell (1904 - 1974)

Village in Iceland, circa 1934
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SKU: 3731

Alan Sorrell (1904 - 1974)

Conway
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SKU: 3728

Alan Sorrell (1904 - 1974)

Vignette with model houses
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SKU: 3729

Alan Sorrell (1904 - 1974)

View of Hadleigh Castle, c. 1918-20
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SKU: 3727

Alan Sorrell (1904 - 1974)

Self Portrait (Illustration for The Broken Gates), circa 1950
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SKU: 3716

Alan Sorrell (1904 - 1974)

Study for Thingvellir, Iceland, 1936
Sold
SKU: 3717

Alan Sorrell (1904 - 1974)

Study for ‘St Richard starts out on a Journey, ‘ circa 1925
Sold
SKU: 3718

Alan Sorrell (1904 - 1974)

Portrait of Rosalie Brill , BSR period,
Sold
SKU: 3720

Alan Sorrell (1904 - 1974)

Portrait of the architect Thornton White, circa 1929
Sold
SKU: 3721

Alan Sorrell (1904 - 1974)

Commercial art studio work, c. 1920
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SKU: 3712

Alan Sorrell (1904 - 1974)

The South Downs at Jevington
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SKU: 3713

Alan Sorrell (1904 - 1974)

Southend beach with boats are low tide
Sold
SKU: 3715

Alan Sorrell (1904 - 1974)

Study for St. Richard sets out upon a Journey
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SKU: 3707

Alan Sorrell (1904 - 1974)

illutration for I Promesi Sposi
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SKU: 3708

Alan Sorrell (1904 - 1974)

Tourists at The Teatro Olimpico, Vicenza 1955
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SKU: 3698

Alan Sorrell (1904 - 1974)

Self-Portrait
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SKU: 3700

Alan Sorrell (1904 - 1974)

Study for The Arrival of the First Mail Coach at Southend, signed and dated 1936,
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SKU: 3696

Alan Sorrell (1904 - 1974)

The Dark Wood
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SKU: 3691

Alan Sorrell (1904 - 1974)

June 12 1933, Kensington Gardens
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SKU: 3693

Alan Sorrell (1904 - 1974)

Study for People Seeking After Wisdom, 1928
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SKU: 3694

Alan Sorrell (1904 - 1974)

Study for People Seeking After Wisdom, 1928
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SKU: 3685

Alan Sorrell (1904 - 1974)

Near Southend, ciirca 1950
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SKU: 3688

Alan Sorrell (1904 - 1974)

Cyprus Tree, study for The Appian Way, circa 1932
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SKU: 3689

Alan Sorrell (1904 - 1974)

View on the Roman Forum from Capitoline Hill, 1937
Sold
SKU: 3690

Alan Sorrell (1904 - 1974)

Rome, August 1937
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SKU: 3678

Alan Sorrell (1904 - 1974)

Study after Raphael, circa 1929
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SKU: 3680

Alan Sorrell (1904 - 1974)

Study of an arm, BSR period
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SKU: 3684

Alan Sorrell (1904 - 1974)

Landscape, 1946
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SKU: 3676

Alan Sorrell (1904 - 1974)

Study of a model (clothed and nude), dec 1929 (recto); Study after Raphael (verso)
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SKU: 3665

Alan Sorrell (1904 - 1974)

Tourists and running children at The Teatro Olimpico, Vicenza
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SKU: 3668

Alan Sorrell (1904 - 1974)

Figures planting a tree
Sold
SKU: 3670

Alan Sorrell (1904 - 1974)

Sheet of figure studies, circa 1929
Sold
SKU: 3671

Alan Sorrell (1904 - 1974)

Portrait of Reginald Brill
Sold
SKU: 3664

Alan Sorrell (1904 - 1974)

The Beach at Bournemouth
Sold
SKU: 3660

Alan Sorrell (1904 - 1974)

Mountain Landscape (recto), A modern church building at Hadleigh (verso)
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SKU: 3661

Alan Sorrell (1904 - 1974)

Cloud study by night
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SKU: 3663

Alan Sorrell (1904 - 1974)

Beach Scene
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SKU: 3659

Alan Sorrell (1904 - 1974)

Landscape, Peloponnisis