Evelyn Dunbar (1906 - 1960)

First page of a letter to Jane Carrington, c.1936 [HMO 688]

£990.00

SKU: 5822
Pen & ink on paper
10 x 8 in. (25.5 x 20.4 cm)

Presentation:
folio

Size:
Height – 25.5cm x Width – 20.4cm

1 in stock

DESCRIPTION

Provenance:
Roger Folley; Alasdair Dunbar; Hammer Mill Oast Collection
Exhibited: Evelyn Dunbar – The Lost Works, Pallant House Gallery, October 2015 – February 2016, cat 118.
Literature: Evelyn Dunbar – The Lost Works, Sacha Llewellyn & Paul Liss, July 2015, cat 118page 169.
Jane Carrington was the daughter of Dunbar’s Hampstead friends No√´l and Catherine Carrington. Dunbar wrote several such letters to Jane, then a six-year-old in hospital with polio. Usually these letters were prettily water-coloured. Why this uncoloured example was never sent is not known.

Sketchbooks & Ephemera
“When Evelyn Dunbar enrolled at the Royal College of Art in 1929 it was a toss-up
as to whether she would apply for the Design School or the Painting School and although Painting won she maintained a strong interest in design and included many designerdraughtsmen among her friends, particularly Edward Bawden and Barnett Freedman.
Like them she enjoyed free-hand pattern-making and filled many sketchbooks with
pictorial jottings of people, places and incidents which could be worked up later when
required into vignettes to decorate such publications as The Scots Week-End (page
170) and Gardeners’ Choice (pages 82-95). Equally, they could be incorporated into
subject paintings like The Days of the Week, or used in any one of her other decorative
projects. Whether working in sketchbooks or on loose scraps of paper she was happy
drawing in line either with pen or pencil, or with clean strokes of a well-charged brush, using the latter particularly to create decorative patterns often reminiscent of Vanessa Bell’s designs for Hogarth Press bookjackets for her sister’s ‚Äì Virginia Woolf’s ‚Äì novels.
Through Mahoney and other Royal College contacts she would also have been familiar
with the work of the Curwen Press, particularly the pattern papers inspired by the
recently deceased Claud Lovat Fraser and produced by Paul Nash, Edward Bawden,
Enid Marx and others.
In her early days she had a natural playfulness which is reflected in her illustrated
letters to Jane Carrington and Edward Bawden; those to Charles Mahoney – who she
addressed variously as Dear Chas’, Dear Matey Cock’ or My dear old potting shed’
– stand out particularly. By the late 1930s this natural gaiety and joie de vivre gave
way to a less light-hearted mood as the disparity between her Christian Science
upbringing and Mahoney’s atheistic socialism increasingly drove a wedge between
them. Apart from the rift with Mahoney this mood of greater seriousness chimed with that of the country as a whole as the clouds of impending war grew ever darker. Her Shell poster designs (CAT 82-84) probably date from this time and it is probable that Barnett Freedman encouraged her to produce some possible ideas as, in the late 1930s, he was commissioned by his friend Jack Beddington, who ran the Shell publicity department, to create puzzle’ advertisements for use in various technical journals. Dunbar may have thought that with their simple kitchen imagery of shelling peas combined with semihumourous captions ‚Äì I Shell’, Thou Shellest’ ‚Äì they might appeal to various ladies’
journals. (see Ruth Artmonsky, Jack Beddington, The Footnote Man, London, 2006, p.54). It is not surprising that they were not developed further, but they were the precursors
to Dunbar’s Mother Hubbard (CAT 81) commissioned by I C I, and used for publication
in a variety of different publications in much the same manner as Beddington’s puzzle’
advertisements.
Scrapbooks and artists’ Christmas cards were a particular feature of the interwar period
and beyond. Edward Bawden’s and Eric Ravilious’s scrapbooks in the collection of the
Fry Gallery, Saffron Walden, contain many examples of cards from John Piper, Graham
Sutherland, Geoffrey Rhoades and other artist friends, including Dunbar and Mahoney.
After her marriage to Roger Folley Evelyn continued to produce her annual card usually
accompanied by some verse by her husband: that for Christmas 1947 – one of the
bleakest of postwar winters – depicts a particularly jolly figure of Pomona, the Roman
goddess of fruit trees, gardens and orchards (FIG 23), reminding us once again of
Evelyn’s delight in animating the spirits of the months and seasons, virtues and ancient
gods. Christian Science could not erase these pagan deities from her pantheon.”
Peyton Skipwith

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THE ARTIST

Evelyn Dunbar
Evelyn
Dunbar
1906 - 1960

Evelyn Dunbar studied at Rochester School of Art, Chelsea School
of Art (1927) and the Royal College of Art (1929’33). She painted
murals from 1933 -36 at Brockley School, a collaboration with her
RCA tutor (and lover) Cyril Mahoney (1903’1968) and in 1937
they wrote and illustrated together Gardeners’ Choice. 

In 1938 she set up the Blue Gallery in Rochester, exhibiting her
own work alongside that of Edward Bawden (1903’1989) and
Barnett Freedman (1901’1958) and others. In 1940 she was
appointed an official war artist, becoming the only woman (amongst
36 men) to be given a full time salaried position by the WAAC. 

She held her only solo exhibition at Withersdane, Wye, Kent
in 1953, although the WAAC included numerous pieces in touring
exhibitions ranging from Aberdeen Art Gallery to MOMA, New York. 

A posthumous exhibition was held in 2006 at St Barbe
Museum and Art Gallery, and in 2015 Liss Llewellyn mounted a
major retrospective of her recently rediscovered studio at Pallant
House Gallery. 

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Evelyn Dunbar (1906 - 1960)
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Reclining Male Nude Study

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Standing Nude Studies

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Evelyn Dunbar (1906 - 1960)
Head and Shoulders Male Study

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April Fool!

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Children Playing

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Unidentified study, c.1956

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Various sketches, mostly of the dancing figure of Pomona for a Christmas card design for 1947

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Evelyn Dunbar (1906 - 1960)
Seated Nude Study 2

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Evelyn Dunbar (1906 - 1960)
Nude Study of Woman Sitting

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Evelyn Dunbar (1906 - 1960)
Nude Study with Hand on Hip 2

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Evelyn Dunbar (1906 - 1960)
Nude Study with Hand on Hip

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Evelyn Dunbar (1906 - 1960)
Seated Nude Study 1

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Evelyn Dunbar (1906 - 1960)
Figure study for the personification of April for Country Life 1938 Gardener’s Diary, 1937

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Evelyn Dunbar (1906 - 1960)
Study for Seated Woman

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Evelyn Dunbar (1906 - 1960)
Chalk Nude Study with Sketching Figure in Foreground

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Evelyn Dunbar (1906 - 1960)
Sitting Nude Study with Umbrella

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Evelyn Dunbar (1906 - 1960)
Various Figure Studies including a Ballerina

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Evelyn Dunbar (1906 - 1960)
Nude Study with artist at work

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Evelyn Dunbar (1906 - 1960)
Nude Figure Studies

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Evelyn Dunbar (1906 - 1960)
Pencil sketch for Portrait of an Airwoman, 1944

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Evelyn Dunbar (1906 - 1960)
Portrait of an Unidentified Man, c.1925

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Evelyn Dunbar (1906 - 1960)
Nude standing with hand on thigh

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Evelyn Dunbar (1906 - 1960)
Studies of Leaves, 1930’s

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Evelyn Dunbar (1906 - 1960)
Sketches of men and women involved in various activities, of unknown purpose or destination

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Evelyn Dunbar (1906 - 1960)
The Artist at Her Drawing Board, mid-1920s

£450.00

Evelyn Dunbar (1906 - 1960)
The Garden at the Elms

£3,500.00

Evelyn Dunbar (1906 - 1960)
Life Class with full-length female nude in profile

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Evelyn Dunbar (1906 - 1960)
Preliminary study for Mercatora

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Evelyn Dunbar (1906 - 1960)
Sheet of figure studies with artist looking at herself in a handheld mirror

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Evelyn Dunbar (1906 - 1960)
Sheet of studies for Mercatora

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Evelyn Dunbar (1906 - 1960)
Study for allegorical figure

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Evelyn Dunbar (1906 - 1960)
Faith, Hope and Charity, 1950

£400.00

Evelyn Dunbar (1906 - 1960)
Sheet of non-contemporaneous studies, some with reference to images in Country Life 1938 Gardener’s Diary, others experimenting with Indian ink, c.1948

£975.00

Reserved
Evelyn Dunbar (1906 - 1960)
Art school study of a lady seated on a Windsor chair
Evelyn Dunbar (1906 - 1960)
Study of a young unidentified woman looking into a mirror.

£450.00

Evelyn Dunbar (1906 - 1960)
Woman Selling Watermelon Slices, West Indies

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Muse with Crown, Design for Christmas Card 2

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Children Playing in Various Poses

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Evelyn Dunbar (1906 - 1960)
Drawing of Cyclamen neapolitanum and Cyclamen Coüm for Gardeners’ Choice, 1937

£900.00

Evelyn Dunbar (1906 - 1960)
Sheet of studies for Gardeners’ Choice

£975.00

Evelyn Dunbar (1906 - 1960)
Studies II for the cover of Gardeners Choice, 1936-37 [HMO 363]

£380.00

Evelyn Dunbar (1906 - 1960)
Various sketches

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Evelyn Dunbar (1906 - 1960)
Small girl

£385.00

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Design 2 for personal correspondence

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Studies for Faith, Hope and Charity, 1948

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Hot pie

£975.00

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Irises and aquilegias

£485.00

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Sheet with studies of faces in profile, c.1951

£495.00

Evelyn Dunbar (1906 - 1960)
Preliminary study for Gladiolus tristis

£485.00

Evelyn Dunbar (1906 - 1960)
Studies of a seated couple reading scrolls and a woman carrying bowls, mid 1930’s

£550.00

Forthcoming
Evelyn Dunbar (1906 - 1960)
Design for personal correspondence
Evelyn Dunbar (1906 - 1960)
Studies for women’s fashions, c.1925

£390.00

Evelyn Dunbar (1906 - 1960)
Studies of a young woman, circa 1930

£490.00

Evelyn Dunbar (1906 - 1960)
The Proposal

£940.00

Evelyn Dunbar (1906 - 1960)
Life class study, Royal College of Art, circa 1932

£450.00

Evelyn Dunbar (1906 - 1960)
Sketch of standing woman with hat, holding a cloth

£385.00

Evelyn Dunbar (1906 - 1960)
Portrait of a man with enamel tea-mug

£390.00

Evelyn Dunbar (1906 - 1960)
Sketches of a woman sitting/knitting/sewing, circa 1931

£495.00

Evelyn Dunbar (1906 - 1960)
Sketches of a woman in several poses, circa 1931

£490.00

Evelyn Dunbar (1906 - 1960)
Gardener and various sketches, circa 1932

£685.00

Evelyn Dunbar (1906 - 1960)
Layout for agricultural children’s book, circa 1948

£490.00

Evelyn Dunbar (1906 - 1960)
Various sketches and studies featuring perspective exercises and a wedding procession, circa 1948

£385.00

Evelyn Dunbar (1906 - 1960)
Studies for Faith, Hope and Charity, c.1949

£590.00

Evelyn Dunbar (1906 - 1960)
Study of an unidentified young woman, circa 1930

£390.00

Evelyn Dunbar (1906 - 1960)
Sketches for Faith, Hope and Charity, 1950

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Evelyn Dunbar (1906 - 1960)
Campanula Rapunculoides

£340.00

Evelyn Dunbar (1906 - 1960)
Preparatory studies of students at Wye College, c.1954

£575.00

Evelyn Dunbar (1906 - 1960)
An illustration for an unidentified childrens story

£475.00

Forthcoming
Evelyn Dunbar (1906 - 1960)
Studies of Geranium armenum
Forthcoming
Evelyn Dunbar (1906 - 1960)
Sketches and designs for an unrealised painting entitled Evening in the Country
Evelyn Dunbar (1906 - 1960)
Sketches of women, c.1948

£495.00

Forthcoming
Evelyn Dunbar (1906 - 1960)
Preliminary sketches for the supporters at either end of the Hilly Fields mural frieze at Brockley School
Evelyn Dunbar (1906 - 1960)
Study for the Brockley Murals

£1,375.00

Forthcoming
Evelyn Dunbar (1906 - 1960)
Study for the background to The Queue at the Fish Shop
Evelyn Dunbar (1906 - 1960)
Study for background of A Land Girl and the Bail Bull

£2,350.00

Evelyn Dunbar (1906 - 1960)
Studies of Gladiolus tristis for page 103 of Gardeners Choice, c.1936 [HMO 36, cat 53]

£480.00

Evelyn Dunbar (1906 - 1960)
Studies of Gladiolus tristis for page 103 of Gardeners Choice, c.1936 [HMO 36, cat 55]

£350.00

Evelyn Dunbar (1906 - 1960)
Studies of Gladiolus tristis for page 103 of Gardeners Choice, c.1936 [HMO 36, cat 54]

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Forthcoming
Evelyn Dunbar (1906 - 1960)
A set of 20 vignettes, purpose unknown, several of which can be associated with decorative projects Dunbar was involved with in the mid-1930
Evelyn Dunbar (1906 - 1960)
Study for a Christmas card design, 1942 [HMO 340]

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Evelyn Dunbar (1906 - 1960)
Sketchbook 1

£440.00

Evelyn Dunbar (1906 - 1960)
Sketchbook 2

£880.00

Evelyn Dunbar (1906 - 1960)
Studies for Mercatora, an allegorical painting about cartography (whereabouts unknown), 1946

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Evelyn Dunbar (1906 - 1960)
Studies for Faith, Hope and Charity, an unrealised allegorical painting [HMO 699]

£950.00

Evelyn Dunbar (1906 - 1960)
Studies for Various Womens Land Army Activities, Including Singling Turnips [HMO 313]

£2,900.00

Forthcoming
Evelyn Dunbar (1906 - 1960)
September, preparatory drawing for Country Life 1938 Gardeners Diary [HMO 232]
Forthcoming
Evelyn Dunbar (1906 - 1960)
Studies for the cover of Gardeners Choice, 1936-37 [HMO 363]
Evelyn Dunbar (1906 - 1960)
Colour sketch for the Hilly Fields mural frieze at Brockley County School for Boys [HMO 525]

£2,875.00

Evelyn Dunbar (1906 - 1960)
Roses of Britain

£950.00

Evelyn Dunbar (1906 - 1960)
First page of a letter to Jane Carrington, c.1936 [HMO 688]

£990.00