Ink
In 1937 Dunbar was commissioned by the magazine Country Life to design their 1938 Gardener’s Diary. These sketches include certain resonances, for instance the personification of May on the lower left, but chiefly remarkable – and unique – are Dunbar’s ideas, mostly adapted from Italian Renaissance images, of putti (i.e. heavenly angelic children) playing musical instruments. Whatever Dunbar had in mind, nothing is known to have come of it.
We are grateful to Christopher Campbell-Howes, author of Evelyn Dunbar – A Life in Painting