Eric Ravilious (1903 - 1942)

Illustration for “Fifty-Four Conceits,” 1933

£2,500.00

SKU: 13163
Presentation: framed
Provenance: The Artist’s Estate

Size: 6cm x 7cm

1 in stock

A rare signed  illustration for “Fifty-Four Conceits,” published by Martin Armstrong in 1933
Signed, Wood engraving
6 x 7cm (Frame 10.5cm x 12.5cm)
The first book Ravilious illustrated in 1926 was Desert: A Legend by Martin Armstrong. 54 Conceits [by the same author] is a collection of his sardonic verses concerned principally with death and dying. The engravings are used in most cases to illustrate two or three verses. Ravilious provides an engraving with a strong connection to one of the verses (almost always the first one) and the title for that verse has been used as a working title for the engraving.  The engraving is printed on page 13 and on page 22. A SUICIDE ‘Denied the comfort of your breast, In the cold sea I sought my rest, Slowly through the twilight deeps to fall To my unhallowed burial’ Jeremy Greenwood, Ravilious Engravings, The Wood Lea Press, Great Britain, 2008, p.178-179
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THE ARTIST

Eric Ravilious
Eric
Ravilious
1903 - 1942

Born in London he studied at the Eastbourne School of Art and at The Royal College of Art under Paul Nash, where Edward Bawden became a close friend. Initially a muralist (none of which has survived), he became widely known for his luminous watercolours, woodcuts, lithographs ‘ notably his High Street Shops executed by the Curwen Press, (published by Country Life in 1938 in a book with a text by JM Richards, husband of Peggy Angus), ceramics for Wedgewood and graphics for London Transport, as well as glass and furniture design. Much inspired by the South Downs in East Sussex, he was a frequent visitor to Furlongs, the cottage of the artist Peggy Angus. In 1930 he married fellow artist ‘Tirzah’ Garwood, they then moved to rural Essex, at first sharing a house with the Bawdens. An official World War II artist and with a commission with the Royal Marines, he died while with an RAF air sea rescue mission to Iceland. His works are in the collections of numerous British museums and art galleries, the largest holding is at the Towner Gallery, Eastbourne.

Selected Literature: Alan Powers, Eric Ravillious: Imagined Realities, Imperial War Museum, London, 2003.

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