Charles Cundall (1890 - 1971)

Italian Vineyard, circa 1922

£6,200.00

SKU: 5254

Signed, titled on a label to the reverse
Oil on panel

10 x 16 in. (25.5 x 41 cm)

Presentation:
framed

Size:
Height – 25.5cm x Width – 41cm

1 in stock

DESCRIPTION

Provenance:
Margaret Stansfield. This panel is likely to have been painted when Cundall was working in Anticoli Corrardo in 1922

Exhibited: – A Working Method,Young Gallery Salisbury, March- April 2016, Sotheran’s, April-May 2016. 

Literature: Charles Cundall – A Working Method, Edited by Sacha Llewellyn & Paul Liss, published by Liss Llewellyn Fine Art, February 2016.


Disclaimer:
Modern British Art Gallery are continually seeking to improve the quality of the information on their website. We actively undertake to post new and more accurate information on our stable of artists.

We openly acknowledge the use of information from other sites including Wikipedia, artbiogs.co.uk and Tate.org and other public domains. We are grateful for the use of this information and we openly invite any comments on how to improve the accuracy of what we have posted.

THE ARTIST

Charles Cundall
Charles
Cundall
1890 - 1971

Painter, potter and stained glass artist, born in Stratford, Lancashire. After working as a designer for Pilkington’s Pottery Company under Gordon Forsyth, Cundall studied at Manchester School of Art, obtaining a scholarship to the Royal College of Art, 1912. After World War I army service he returned to the Royal College in 1918, then from 1919 to 1920 attended the Slade, and furthered his studies in Paris. Cundall traveled widely in several continents and became noted for his panoramic pictures, such as Bank Holiday Brighton, in the Tate Gallery (accession no. NO4700). He was a member of NEAC, RP, RWS and other bodies and was a prolific RA exhibitor. He had first solo show at Colnaghi 1927. He was an Official War Artist in World War II, during which time he was sent to Quebec (1944). In the same year he was elected RA. His wife was the artist Jacqueline Pietersen.

His technical facility – especially when working on large panoramic canvases – was remarkable. His pictures are rich with texture, light and movement. He was equally at ease with aerial views, landscapes, seascapes and cityscapes, and was a master of crowd scenes. His work as an Official War Artist has never received the attention it merits.

MORE PICTURES BY ARTIST

SKU: 4554

Charles Cundall (1890 - 1971)

Industrial Panorama of Sheffield, c 1930

£1,950.00

SKU: 6902

Charles Cundall (1890 - 1971)

Sketch for Prospect Mills

£1,900.00

SKU: 5254

Charles Cundall (1890 - 1971)

Italian Vineyard, circa 1922

£6,200.00

SKU: 7794

Charles Cundall (1890 - 1971)

The Pool of London

£650.00

SKU: 7798

Charles Cundall (1890 - 1971)

Open goods wagon

£395.00

SKU: 7719

Charles Cundall (1890 - 1971)

Townscape with terraced housing

£625.00

SKU: 6573

Charles Cundall (1890 - 1971)

Study for The Kipper at Kiel, c. 1945

£1,575.00

SKU: 5661

Charles Cundall (1890 - 1971)

Study of arms and hands

£1,600.00

SKU: 5001

Charles Cundall (1890 - 1971)

Red brick house in field

£650.00

SKU: 4939

Charles Cundall (1890 - 1971)

Study for Cricket match

£600.00

SKU: 7406

Charles Cundall (1890 - 1971)

Crowd watching a regatta

£345.00

SKU: 6965

Charles Cundall (1890 - 1971)

Sketch for Prospect Mills

£975.00

SKU: 6967

Charles Cundall (1890 - 1971)

Garage behind town houses

£675.00

SKU: 6936

Charles Cundall (1890 - 1971)

Steel Company of Wales, Abbey Works Port Talbot IV

£875.00

SKU: 6926

Charles Cundall (1890 - 1971)

Study for The Thames at WindsorA Regatta Scene (B)

£600.00

SKU: 6922

Charles Cundall (1890 - 1971)

B. Sketch for Demolition of St Thomas, 1968

£350.00

SKU: 6576

Charles Cundall (1890 - 1971)

Study of London docks

£390.00

SKU: 3644

Charles Cundall (1890 - 1971)

View of the village

£730.00