SKU: 3079
Augustus John (1878 - 1961)
Virginia, (Dorelia) circa 1906
£370.00
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Augustus John (1878 - 1961)
Etching, printed posthumously from cancelled plate
Paper size: 8 1/2 x 7 in. (21.5 x 18 cm.). Plate size: 5 x 4 in. (12.7 x 10.2 cm.)
Size:
Height – 21.5cm x Width – 18cm
Literature: Llewellyn, Sacha, and Paul Liss. Portrait of an Artist. Liss Llewellyn, 2021, p.252.
Michael Campbell has pointed out that this work dates from c.1901/02. The 1906 sometimes associated with the work relates to when Knewstub printed his Chenil Gallery edition. The reference is Campbell Dodgson 9.
9 copies of the Self portrait have been posthumously printed in total, from the
cancelled copper plate, on Arches 250g
paper by master print maker David Maes.
Augustus John’s remarkable self-portrait etchings are the most sought after of the considerable body of prints to have been made by this famous Welsh artist. Thought to have been etched during Augustus John’s stay in Liverpool, where he taught at the University from 1901-1902, this etching was not published in a formal edition until issued by the Chenil Gallery in 1906, when 25 proofs were printed from this plate. The plate was then scored with cancellation lines and was stored carefully – it remains exactly as left by Augustus John and Knewstub in 1906.
Of all of Augustus John’s searching self-portrait etchings, Portrait of the Artist: bust, in an oval is perhaps the most deeply introspective, betraying the most sensitive aspects of the artist’s true character. Worked with care and detail, there is an intensity to this highly personal study shared only by the artist’s magnificent T√™te Farouche.
We are grateful to Michael Campbell for assistance.
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Painter mainly in oil. draughtsman and printmaker. Born in Tenhy,
Wales, brother of the artist Gwen John, he attended the Slade School of
Fine Art, 1894-8, winning a Scholarship in 1896 and the Summer
Composition Prize two years later. John’s prodigious natural ability as
a draughtsman won the admiration of Henry Tonks, and lie soon
established himself as a star student and an art world character.
Became professor of painting at Liverpool University art school,
1901-4. John started an association with gypsies, learning their
language and painting them. Began his wide travels in Britain and on
the continent, sometimes travelling by caravan. Over several years
painted with J D Innes and Derwent Lees. Started to exhibit widely,
having his first one-marl show at the Carfax Gallery in 1903. Also
showed at the Chenil Galleries, NEAC, Alpine Gallery, Independent Club,
RA and elsewhere over the coming years, where he became noted for
drawings and paintings of his second wife, Dorelia, his children, his
sister Gwen, personalities such as George Bernard Shaw, T E Lawrence, W
B Yeats and Dylan Thomas, and for his landscapes and romantic scenes of
peasant life. Although sometimes out of fashion, John is assured a
place as one of the great figures of British painting in his lifetime.
His work is in many galleries, including the Tate Gallery and National
Portrait Gallery. Elected RA 1928, resigned 1938, re-elected 1940.
Awarded Order of Merit 1942. Autobio¬graphical reminiscences
Chiaroscuro were published in 1952, Finishing Y’oaches, 1964.
Retrospectives included one at National Portrait Gallery, 1975,
National Museum of Wales, Cardiff, and tour, 1996, and Olympia Fine Art
and Antiques Fair, 1999. In 2004–5 Tate Britain held the first
large-scale exhibition to focus on Augustus and Gwen (1876-1939).
Notable among Augustus’s many children were Admiral of the Fleet Sir
Caspar John (by his first wife, Ida); the painters Edwin John (by his
first wife, Ida), Gwyneth Johnstone (by Nora Brownsword, a model) and
Vivien John (by Dorelia); and the cellist Amaryllis Fleming (by Eve
Fleming, a rich society hostess widow whose sons included Peter
Fleming, writer and explorer, and Ian, the writer and creator of James
Bond). John lived at Fording¬bridge, Hampshire.
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