Exhibited: Sanctuary, Artist-Gardeners, 1919-39, Garden Museum, London, 25th February ‚Äì 5 April, 2020
Literature: Christopher Woodward, Sanctuary: Artist-Gardeners, 1919‚Äì1939, published by Liss Llewellyn, 2020
Llewellyn, Sacha, et al. Women Only Works on Paper. Liss Llewellyn, 2021, p. 73.
Dorothy Mahoney (née Bishop) entered the School of Design at the Royal College of Art in 1924 with
Book Illustration as her principal subject. From 1926-28 she also took classes in lettering and illumina-
tion with Edward Johnston, to whom she became student-assistant. Students were encouraged to copy
early English manuscripts from the golden age of calligraphy. This page is copied from the English 14th
century Queen Mary Psalter, the original of which is in the British Museum but the facsimile made in
1912 is held in the Victoria and Albert Museum next to the Royal College of Art. Mahoney’s book, The
Craft of Calligraphy (1982) was, and remains, one of the standard reference works on the subject.
In Walled Garden Amongst Kentish Orchards, Mahoney’s skill in illumination and penmanship is shown in
the precise delineation of the tulip petals and trellis work.