Sculptor, born in Chelsea, London the son of a sculptor Richard Arthur Ledward. He was a student at the Chelsea Polytechnic, at the Academy in Karlsruhe, the Royal College of Art and the Royal Academy Schools 1907-13. The first artist to win a scholarship in sculpture to the British School at Rome, and a soldier in World War I, he was after the cessation of hostilities much sought after to execute monumental war memorials. However during his Rome stay the outbreak of war brought Ledward’s travels to an end, but 1917 found him back in Italy, on the front, serving as a lieutenant with the Royal Garrison Artillery. He was called home in April 1918 and seconded to the Ministry of Information as an Official War Artist. In this capacity, he produced plaster reliefs for the Imperial War Museum which are typical of the dramatic compositions of soldiers in action surrounded by the accoutrements of battle that were developed in later memorial projects, notably at Harrogate in 1921 and Blackpool in 1923. Other major commissions in this vein include The Guards’ Division Memorial at Horse Guards Parade, 1922-25 and he also designed sculpture for the Imperial War Graves Commission Memorial to the Missing at Ploegsteert, Belgium 1926-29. During the 1930’s Ledward turned from the traditional custom of modelling in clay to carving directly from stone.
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Sculptor, born in Chelsea, London the son of a sculptor Richard Arthur Ledward. He was a student at the Chelsea Polytechnic, at the Academy in Karlsruhe, the Royal College of Art and the Royal Academy Schools 1907-13. The first artist to win a scholarship in sculpture to the British School at Rome, and a soldier in World War I, he was after the cessation of hostilities much sought after to execute monumental war memorials. However during his Rome stay the outbreak of war brought Ledward’s travels to an end, but 1917 found him back in Italy, on the front, serving as a lieutenant with the Royal Garrison Artillery. He was called home in April 1918 and seconded to the Ministry of Information as an Official War Artist. In this capacity, he produced plaster reliefs for the Imperial War Museum which are typical of the dramatic compositions of soldiers in action surrounded by the accoutrements of battle that were developed in later memorial projects, notably at Harrogate in 1921 and Blackpool in 1923. Other major commissions in this vein include The Guards’ Division Memorial at Horse Guards Parade, 1922-25 and he also designed sculpture for the Imperial War Graves Commission Memorial to the Missing at Ploegsteert, Belgium 1926-29. During the 1930’s Ledward turned from the traditional custom of modelling in clay to carving directly from stone.
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