Lennox Paterson (1915-1986)

The Four Horsemen of the Apocalypse

£650.00

SKU: 13016
Signed and titled and numbered in pencil by the artist
Presentation:
folio

Size:
Height – 33cm x Width – 27cm

1 in stock

DESCRIPTION

Provenance:
Private Collection

Limited edition wood engraving. Signed and titled in pencil by the artist.  Numbered 10/50

The theme of the Four Horsemen, derived from the Book of Revelation, has been a recurring subject in art history, notably depicted by Albrecht Dürer in his 1498 woodcut. Paterson’s interpretation would likely reflect his distinctive style, characterized by strong design elements and meticulous craftsmanship.

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THE ARTIST

Lennox
Paterson
1915-1986

George William Lennox Paterson (1915–1986) was a distinguished Scottish painter, printmaker, and educator, renowned for his contributions to mid-20th-century British art and design.

Born in Glasgow, Paterson was the son of architect George Andrew Paterson. He received his early education at Glasgow Academy before enrolling at the Glasgow School of Art in 1933, where he studied under Ian Fleming.

Paterson’s artistic oeuvre encompassed painting and wood engraving, often reflecting the landscapes and cultural motifs of Scotland. Notable works include Study of a Head (1938) and Crest for Glasgow University, both wood engravings that showcase his technical proficiency and artistic vision.

In 1946, Paterson was awarded the prestigious Guthrie Award for his piece Frank Tweedie and the Birds, underscoring his prominence in the Scottish art scene.

Beyond his artistic practice, Paterson had a significant academic career at the Glasgow School of Art. He held various positions, including Commercial Art Assistant (1947–48), instructor in Commercial and Graphic Art with a focus on wood engraving (1949–61), Graphic Design instructor (1961–64), Registrar and Deputy Director (1964–75), Deputy Director (1975–76), and Head of the Design Department (1975–79).

Paterson’s legacy endures through his artworks housed in institutions like the National Galleries of Scotland and the British Museum, as well as through his influential role in art education.

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