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Alfred Kingsley Lawrence (1893 - 1975)

Study of WW1 soldiers, circa 1918

SKU: 9579
Pen and ink, brush
16 1/2 x 11 3/8 in. (41.8 x 29.8 cm)
Presentation:
folio

Size:
Height – 41.8cm x Width – 29.8cm

DESCRIPTION

Provenance:
The Artist’s Estate; Private collection

In 1914, Lawrence  had voluntarily joined the Northumberland Fusiliers’ 19th battalion (2nd Tyneside Pioneers), which was posted to France in 1916. He was mentioned in despatches in January 1917, most likely for his actions during the latter stages of the Battle of the Somme. Upon discharge in 1919, he resumed his scholarship at the Royal College of Art.

This drawing is possibly a study for his lost masterpiece The Altruists, first exhibited at the British Empire Exhibition, Wembley, 1924:

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THE ARTIST

Alfred Kingsley Lawrence
Alfred Kingsley
Lawrence
1893 - 1975

Painter of pictures and murals and draughtsman, born in Lewes, Sussex. He studied at King Edward VII School of Art in Newcastle upon Tyne under Richard Hatton, at Royal College of Art with William Rothenstein and then in Italy as a Prix de Rome winner, 1923. Elected RA in 1938. Lawrence was a fine figure painter and a RA stalwart for many years, his work having a strong underlying draughtsmanship. Also showed RP of which he was a member and widely abroad. Among Lawrence’s notable murals are ones in Laing Art Gallery and Museum, Newcastle; Palace of Westminster; and Bank of England. Lived in London.

During WW1 Lawrence was in the Tyneside Pioneers, and according to Richard Dunning was in the front line 100 yards from Lochnagar when it was blown up. Given that the (unannounced) 27 ton explosion was heard and felt in Kew, it must have unnerved him considerably – fortunately the Pioneers were the only troops, out of 100,000, who didn’t go over the top on that day. Lawrences masterpiece, The Altruists, (first exhibited at British Empire Exhibition, Wembley, 1924, then British Pavilion, 1925 Paris and now lost) showing First World War soldiers and a selection of robed figures grouped on either side of a risen Christ, was his most ambitious serious attempt to sublimate his traumatic WW1 experiences.

With thanks to artbiogs.co.uk

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The British School at Rome, circa 1923

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