Watercolour.
Remembering her experiences recording Land Girls in training at Sparsholt Agricultural College in her early days as a war artist in 1940, Dunbar drove overnight in June 1942 from her home in Rochester, Kent to Sparsholt, Hampshire, arriving on a fine early midsummer morning to capture the dawn light. Discovering cattle variously disposed in her chosen Sparsholt field, she decided to make quick water-colour sketches of them. They were later included in her greatest war painting, The Land Girl and the Bail Bull, completed in 1945 and now in the Tate Gallery.
We are grateful to Christopher Campbell-Howes, author of Evelyn Dunbar – A Life in Painting, 2016