Pen and ink
The period 1936-37 saw several images entitled Opportunity, mostly in letters to Charles Mahoney, Dunbar’s former Royal College of Art tutor and later lover. The final image showed a motherly figure, with a fantastic hat decorated with flowers and fruit, holding a ladder up which small children are encouraged to climb. The image can be interpreted as Dunbar’s suggestion to Mahoney that their couple should be strengthened by having children together. A vain hope: they separated in 1937, and Dunbar began what she called her ‘crisis’ years, a period of relative inactivity and depression only relieved by her 1940 appointment as an official war artist.
We are grateful to Christopher Campbell-Howes, author of Evelyn Dunbar – A Life in Painting