Pencil.
A very early sketch for what would become one of Dunbar’s greater and more reflective paintings. Dunbar called the period 1937-1940 her ‘crisis’ years: break-up of her relationship with her fellow-artist Charles Mahoney; failed pregnancy; religious doubts (Dunbar was a committed Christian Scientist); no earnings, obliging her to work behind the counter in her sisters’ children’s clothes shop. Eventually she arranged many of the characters and what they stand for in this sheet of sketches into a kind of procession through the week.
We are grateful to Christopher Campbell-Howes, author of Evelyn Dunbar: A Life in Painting, Romarin, 2016