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SKU: 9461
William George Scott (1913 - 1989)
Composition from Thirty-Five Artists, 1982
Painter and printmaker born in Greenock, Scotland but as a child moved to Enniskillen, Northern Ireland in 1924. He attended Belfast College of Art, 1928-31 and at the RA Schools, 1931-35. In 1937 Bill Scott travelled and lived in France where he assisted in the running of an art school in Pont-Aven, Brittany. During World War II he served with the Royal Engineers and held his first solo exhibition at the Leger Galleries in 1942. Scott taught at Bath Academy, Corsham 1946-56 where he met many of the St. Ives artist such as Roger Hilton, Terry Frost, Peter Lanyon, Bryan Winter and Patrick Heron. With most of them he became associated with the Constructionism movement of the 1950’s. He went on to teach at the RCA and travelled and taught in America and Canada. His paintings of still lifes in the late 1940’s and early 1950’s led on to an experimentation with pure abstract painting. This was later discarded for an arrangement of simple minimalist shapes on a flat ground which are somewhat reminiscent of pots, pans and other household items.
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Painter and printmaker born in Greenock, Scotland but as a child moved to Enniskillen, Northern Ireland in 1924. He attended Belfast College of Art, 1928-31 and at the RA Schools, 1931-35. In 1937 Bill Scott travelled and lived in France where he assisted in the running of an art school in Pont-Aven, Brittany. During World War II he served with the Royal Engineers and held his first solo exhibition at the Leger Galleries in 1942. Scott taught at Bath Academy, Corsham 1946-56 where he met many of the St. Ives artist such as Roger Hilton, Terry Frost, Peter Lanyon, Bryan Winter and Patrick Heron. With most of them he became associated with the Constructionism movement of the 1950’s. He went on to teach at the RCA and travelled and taught in America and Canada. His paintings of still lifes in the late 1940’s and early 1950’s led on to an experimentation with pure abstract painting. This was later discarded for an arrangement of simple minimalist shapes on a flat ground which are somewhat reminiscent of pots, pans and other household items.
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William George Scott (1913 - 1989)